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	<title>Pauline Batista</title>
	<link>https://paulinebatista.com</link>
	<description>Pauline Batista</description>
	<pubDate>Mon, 14 Sep 2026 18:10:19 +0000</pubDate>
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		<title>Home</title>
				
		<link>https://paulinebatista.com/Home</link>

		<pubDate>Tue, 28 Apr 2020 15:39:34 +0000</pubDate>

		<dc:creator>Pauline Batista</dc:creator>

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		<title>Methylene Blue Dreams</title>
				
		<link>https://paulinebatista.com/Methylene-Blue-Dreams</link>

		<pubDate>Mon, 14 Sep 2026 18:10:19 +0000</pubDate>

		<dc:creator>Pauline Batista</dc:creator>

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Pauline Batista: Methylene Blue Dreams &#38;nbsp;
June 24th, 2026 – &#38;nbsp;July 4th, 2026 &#38;nbsp;
Somers Gallery &#38;nbsp;
96 Chalton Street, London U.K &#38;nbsp;curated by Gabriela Davies&#38;nbsp;


Exhibition Text: &#38;nbsp;


Methylene Blue Dreams begins with a desire that has become increasingly familiar: the desire to optimize ourselves. We are encouraged to become the best versions of who we are, or better yet, who we might be. Better skin, healthier hair, more defined muscles, greater mental clarity and maximum happiness. We work upon ourselves through supplements, wearable technologies that monitor our heart rate, count our steps, and measure our sleep, as well as through superficial and internal medical interventions. We bio-hack our blood chemistry in pursuit of youthfulness and treat the body as a limitless field of experimentation. In the process, the machine becomes humanized and the human becomes mechanic, as though we were somehow insufficiently ourselves. 


Yet we exist as complex organisms composed of multiple layers, humours, spirits, bacteria, and atoms. In some sense, each of us contains an entire forest within, as mentioned by the artist. Distinct biomes coexist beneath the illusion of a singular self, each populated by forms of life that possess their own agency. What emerges from us yet begins to exist independently of us? As though these forms had escaped the very conditions that once enabled their existence, only to find themselves no longer sheltered by them. An environment so altered that it surpasses itself. As though organs, tissues, and microscopic communities were undertaking exoduses from this body in search of regeneration elsewhere and from external knowledge. 


The exhibition takes its title from methylene blue, a medical compound historically used as a treatment for poisoning and as a dye that renders the body's internal structures visible. It is also one of the first synthetic drugs, occupying a curious position between diagnosis, intervention, and enhancement. More recently, it has re-emerged within cultures of optimization, promoted for its potential cognitive and neurological benefits. 


Here, methylene blue operates as both material and metaphor. Historically employed to reveal, trace, and uncover what lies beneath the surface, it becomes a guide through the exhibition itself: through its sculptural environment, speculative organisms, and fragmented anatomies. It supports a different form of circulation that moves between bodies and states of matter. It becomes a means of navigating its transformation rather than restoring the body to wholeness. 


The world proposed in Methylene Blue Dreams inhabits this threshold. Bodies no longer appear as coherent wholes but as reconfigurations of distinct forms of life in various stages of transformation. Organic matter merges with synthetic forms; fragments detach, migrate, and reorganize. Throughout the exhibition, a recurring black ooze seeps across surfaces and structures. Part residue, part organism, part speculative material, it appears as evidence of a body that has no boundaries – like the mycelium that maintains an interconnection even when seemingly scattered. While the methylene blue seeks to uncover, the black ooze performs the opposite gesture. It devours, obscures, and renders forms increasingly illegible. Between them emerges a tension between transparency and opacity, revelation and concealment. 


The exhibition unfolds within a space that resembles a medical waiting room, yet it does not seek to treat the human body. Instead, its attention moves away from it. The human, now ailing, is no longer the unquestioned subject of attention, and does not hold the knowledge necessary to navigate in such an environment. It may even become expendable. What remains are the fragments that struggle to stay alive: parts that detach themselves from the whole, dismantle existing structures, and reorganize into new bodies, new assemblages, and new systems of relation. What emerges is a process of continual reconfiguration, where life persists precisely through its capacity to exceed the boundaries of the forms that once contained it. 


&#38;nbsp;
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	<item>
		<title>Sobre criar oceanos/ On building oceans </title>
				
		<link>https://paulinebatista.com/Sobre-criar-oceanos-On-building-oceans</link>

		<pubDate>Thu, 16 May 2024 16:21:34 +0000</pubDate>

		<dc:creator>Pauline Batista</dc:creator>

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&#38;nbsp; &#38;nbsp; &#38;nbsp;


Nem só o copro veste a alma&#38;nbsp;

The sculptural works Sobre Criar Oceanos I-IV and Portal I were created for the exhibition ‘Nem só o corpo veste a alma’ (Not only the body wears the soul) currently on view at Tropigalpão. It celebrates the second anniversary of this multidisciplinary space in Gloria, a historical neighborhood in the centre of Rio. Tropigalpão has come to be a symbol of the downtown renaissance that has sprung up in the area. 

The exhibition brings together the work of five emerging Brazilian artists: Alexandre Baltazar, Pauline Batista, Anderson Borba, Maria Konder, and Samara Paiva. The title of the show indicates a quest for possibilities of existence beyond the human realm. Within the selected works there are paintings, sculptures and installation proposals that are suitable for these universal questions in relation to the body, matter and human experience in the face of an abstract and impermanent universe.&#38;nbsp;



The Body as a Paradox (excerpt) 
critical text by Carol Carreteiro &#38;nbsp;

In his book “Philosophy of Care”, Boris Gross differentiates the idea of body with the idea of skin. According to the author, our desires are felt and discovered through the interaction of skin, as this is our physical interface with the world and the fundamental basis of all perception. The body is the reference point for displacement in space/time, and encompasses the psychoanalytic notion of the “spark of inner life”, as Jung puts it, which is what defines us as unique individuals, and therefore, with characteristic desires. The body can be analyzed from the inside out, and from the outside in. The West presupposes the outside in as a departure point— we are endowed with a materiality, a chemistry, that can be manipulated by medicine and altered by procedures. Consequently, suffering and pain are framed as states that can be manipulated by substances, such as medicine, for example.

...

Pauline Batista's acrylic and tentacles speak directly about the idea of materiality, as Boris Groys addresses in the conception of skin: the interface as a chemical substance, where the grotesque can, metaphorically, represent the other, and again, what is not recognizable.
 …

&#38;nbsp;The fundamental idea that surrounds all the works presented is very well condensed by Mark Fisher: the strange, or “uncanny”, as the author puts it, "always operates by processing the outside through the gaps and impasses of the inside.” </description>
		
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	<item>
		<title>Is Your System Optimized?</title>
				
		<link>https://paulinebatista.com/Is-Your-System-Optimized</link>

		<pubDate>Sat, 21 Mar 2020 19:19:11 +0000</pubDate>

		<dc:creator>Pauline Batista</dc:creator>

		<guid isPermaLink="true">https://paulinebatista.com/Is-Your-System-Optimized</guid>

		<description>
	
	

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&#60;img width="3840" height="5760" width_o="3840" height_o="5760" data-src="https://freight.cargo.site/t/original/i/c31b915b48b0b4b7c36663878e36b68c8df82205f4ef953ad264141a11cb3376/Batista_27a.jpg" data-mid="68807451" border="0"  src="https://freight.cargo.site/w/1000/i/c31b915b48b0b4b7c36663878e36b68c8df82205f4ef953ad264141a11cb3376/Batista_27a.jpg" /&#62;
&#60;img width="5588" height="3725" width_o="5588" height_o="3725" data-src="https://freight.cargo.site/t/original/i/6de8677b2bcac9873173e92fbf71d4ee71e9d4e621ad777fda70017368bb7a9e/Batista_15.jpg" data-mid="68915246" border="0"  src="https://freight.cargo.site/w/1000/i/6de8677b2bcac9873173e92fbf71d4ee71e9d4e621ad777fda70017368bb7a9e/Batista_15.jpg" /&#62;


Is Your System Optimized? is an ongoing research project. It was exhibited at GALLLERIAPIU in Bologna and is currently evolving over at&#38;nbsp; PHROOM Magazine. &#38;nbsp;


Selected articles about the exhbition:&#38;nbsp;Pauline Batista. A de-optimization experiment Juliet Art Magazine, Nov. 2019 
Is Your System Optimized? Review Exibart, Dec. 2019 


Pauline Batista e la definizione del sé &#124; Gallleriapiù, BolognaATP Diary, Dec. 2019 






</description>
		
	</item>
		
		
	<item>
		<title>Fatal Softness</title>
				
		<link>https://paulinebatista.com/Fatal-Softness</link>

		<pubDate>Wed, 31 Jan 2018 12:03:09 +0000</pubDate>

		<dc:creator>Pauline Batista</dc:creator>

		<guid isPermaLink="true">https://paulinebatista.com/Fatal-Softness</guid>

		<description>
&#60;img width="1000" height="1500" width_o="1000" height_o="1500" data-src="https://freight.cargo.site/t/original/i/f36d37b9a3a0150084e994a9376bb2a7e656f628198e47d08a07aa7fb119b011/SHOT01-piece4_-byRocioChacon_072.jpg" data-mid="68807469" border="0"  src="https://freight.cargo.site/w/1000/i/f36d37b9a3a0150084e994a9376bb2a7e656f628198e47d08a07aa7fb119b011/SHOT01-piece4_-byRocioChacon_072.jpg" /&#62;
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&#60;img width="1000" height="1500" width_o="1000" height_o="1500" data-src="https://freight.cargo.site/t/original/i/fc71b54263ee7c00da4ba630023d444a2ea1d469d2bdc9920705f23e6c883e54/SHOT09-piece7_-byRocioChacon_126_preview.jpeg" data-mid="68807471" border="0"  src="https://freight.cargo.site/w/1000/i/fc71b54263ee7c00da4ba630023d444a2ea1d469d2bdc9920705f23e6c883e54/SHOT09-piece7_-byRocioChacon_126_preview.jpeg" /&#62;
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&#60;img width="1000" height="1500" width_o="1000" height_o="1500" data-src="https://freight.cargo.site/t/original/i/f337802ab55bea9d4c1163b21821a331921ea961b51a783731a4f55acdae16bd/SHOT01-piece4_-byRocioChacon_022.jpg" data-mid="68807470" border="0"  src="https://freight.cargo.site/w/1000/i/f337802ab55bea9d4c1163b21821a331921ea961b51a783731a4f55acdae16bd/SHOT01-piece4_-byRocioChacon_022.jpg" /&#62;





&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp;
Pauline Batista + Madeleine Stack, ‘Fatal Softness’ (2017) Excerpt from AQNB Productions on Vimeo.
Fatal Softness is a collaboration bewteen artists Pauline Batista and &#38;nbsp;Madeleine Stack over the course of many conversations.&#38;nbsp;

It resulted in a two-person show at Koppel Project London, which incuded a collaborative video work creted for the world we envisioned.

-&#38;gt; more about the work&#38;nbsp;</description>
		
	</item>
		
		
	<item>
		<title>The Algorithm Will See You Now </title>
				
		<link>https://paulinebatista.com/The-Algorithm-Will-See-You-Now</link>

		<pubDate>Thu, 27 Jul 2017 11:42:06 +0000</pubDate>

		<dc:creator>Pauline Batista</dc:creator>

		<guid isPermaLink="true">https://paulinebatista.com/The-Algorithm-Will-See-You-Now</guid>

		<description>
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</description>
		
	</item>
		
		
	<item>
		<title>Methods of Prospecting </title>
				
		<link>https://paulinebatista.com/Methods-of-Prospecting-2</link>

		<pubDate>Thu, 30 Apr 2020 10:29:48 +0000</pubDate>

		<dc:creator>Pauline Batista</dc:creator>

		<guid isPermaLink="true">https://paulinebatista.com/Methods-of-Prospecting-2</guid>

		<description>
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		<title>A Mysterious Arrangement of Merciless Logic for a Futile Purpose</title>
				
		<link>https://paulinebatista.com/A-Mysterious-Arrangement-of-Merciless-Logic-for-a-Futile-Purpose</link>

		<pubDate>Tue, 10 May 2016 18:43:31 +0000</pubDate>

		<dc:creator>Pauline Batista</dc:creator>

		<guid isPermaLink="true">https://paulinebatista.com/A-Mysterious-Arrangement-of-Merciless-Logic-for-a-Futile-Purpose</guid>

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&#60;img width="1800" height="2700" width_o="1800" height_o="2700" data-src="https://freight.cargo.site/t/original/i/42418270ee0f35d5daa7ad15471ac27af9023bf67a97a0be40097bc8da126817/pauline_batista-3.jpg" data-mid="68807571" border="0"  src="https://freight.cargo.site/w/1000/i/42418270ee0f35d5daa7ad15471ac27af9023bf67a97a0be40097bc8da126817/pauline_batista-3.jpg" /&#62;
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		<title>Darkness was here yesterday (after Conrad), 2015</title>
				
		<link>https://paulinebatista.com/Darkness-was-here-yesterday-after-Conrad-2015</link>

		<pubDate>Fri, 30 Dec 2016 17:22:37 +0000</pubDate>

		<dc:creator>Pauline Batista</dc:creator>

		<guid isPermaLink="true">https://paulinebatista.com/Darkness-was-here-yesterday-after-Conrad-2015</guid>

		<description></description>
		
	</item>
		
		
	<item>
		<title>News</title>
				
		<link>https://paulinebatista.com/News</link>

		<pubDate>Tue, 05 May 2020 08:19:15 +0000</pubDate>

		<dc:creator>Pauline Batista</dc:creator>

		<guid isPermaLink="true">https://paulinebatista.com/News</guid>

		<description>The Prisma: Interview
Pauline Batista: The body against the tyrannt of optimisation&#38;nbsp;
https://theprisma.co.uk/2026/10/19/pauline-batista-the-body-against-the-tyranny-of-optimisation/


Methylene Blue Dreams&#38;nbsp;
solo at Somers Gallery&#38;nbsp;
curated by Gabriela Davies&#38;nbsp;
June 24th-July 4th, 2026
https://saliva.live/exhibitions/ebf17a99
https://daily-lazy.com/2026/07/pauline-batista-at-somers-gallery-london.html


Analogue curated by Sarah Elson&#38;nbsp;
Hypha HQ, London U.K&#38;nbsp;
Feb 26th- March 8th 2026&#38;nbsp;Becomign through Pain curated by Huma Kabakci&#38;nbsp;
Somers Gallery, London U.K&#38;nbsp;
March 25th-April 2nd 2026&#38;nbsp;
Art Plugged Exhibitons&#38;nbsp;
Bajo Presión (Under Pressure) curated by Elvis Fuentes&#38;nbsp;La Poli/GráficaApril 19–September 15, 2024Instituto de Cultura Puertorriqueña (ICP)&#38;nbsp;
Reviews:&#38;nbsp;
ARTISHOCK- Revista de Arte Contemporaneo&#38;nbsp;
Plástica-&#38;nbsp;Revista de la Liga de Arte de San Juan

Nem&#38;nbsp;só o Corpo Veste a Alma&#38;nbsp;
 
Pauline Batista, Maria Konder, Samara Paiva, Alexandre Baltazar e Anderson Borba
April 13th- May 3rd, 2024
Tropigalpão, Rio de Janeiro, Brazil
Documentation of exhibition:&#38;nbsp;
Saliva.live&#38;nbsp;
KUBAPARIS
L'artista brasiliana che indaga il rapporto uomo-macchina: "Alexa e Siri sono le donne 'serve' che non vogliamo
La Stampa, Nov. 2022

Artissima 2022: a Transformative Experience
Juliet Art Magazine, Nov. 2022

ARTISSIMA 2022 w @GALLLERIAPIU&#38;nbsp;
Nov. 3rd-6th, 2022

If I Were You at KUPFER Project Space&#38;nbsp;
May 28th- June 18th, 2022
2021 DYCP Grant from Arts Council England&#38;nbsp;

ARCO E-XHIBITION 2021- “Brave New World”&#124; Works by Apparatus 22 &#38;amp; Pauline Batista&#38;nbsp;

10 Min Interview with Open Space Contemporary&#38;nbsp;
Oct. 2020&#38;nbsp;

COMBAT PRIZE Photography Shortlist&#38;nbsp;
Museo Civico G. Fattori ex Granai di Villa Mimbelli
 October 10th to 31th, Livorno, Italy&#38;nbsp;

Ducato Prize Shortlist and Catalogue now online&#38;nbsp;


Authorial Page on PHROOM Magazine live now 


Interview for TIMNBY 
Feb. 2020


Is Your System Optimized? Review 
Exibart, Dec. 2019 


Pauline Batista e la definizione del sé &#124; Gallleriapiù, Bologna
ATP Diary, Dec. 2019 


Pauline Batista. A de-optimization experiment 
Juliet Art Magazine, Nov. 2019 


Is Your System Optimized?  solo at GALLLERIAPIU
23rd of Nov. 2019- 11th of Jan. 2020 


2019 Center Annual- Houston Center for Photography 
July 19 – September 1, 2019, Houston, USA


Residency Unlimited (RU) in New York, USA  
 Residency is made possible with support from DAAD (German Academic Exchange Service) Grant.


CADAF- Contemporary and Digital Art Fair 
May 3 - 5, 2019, New York, USA


Creekside Open 2019 Selected by Brian Griffiths
 APT Gallery 19 May- 2 June 2019,  London, UK 


Artist Residency at ARTELES in Haukijärvi, Finland (Jan 2019)


Visual Art Feature: The Algorithm Will See You Now
Into The Void Magazine Issue 9 (print &#38;amp; web), July 2018


WomenCinemakers interviews Pauline Batista &#38;amp; Madeleine Stack 
WomenCinemaker Special Issue June 2018


Fatal Softness Review by Henry Broome
MAP Magazine, January, 2018 


Moving through collapse + excavation with Pauline Batista and Madeleine Stack’s Fatal Softness
AQNB, Jan, 2018 


Fatal Softness: Pauline Batista &#38;amp; Madeline Stack 
The Koppel Project, London. UK 
17th Nov., 2017- 6th Jan. 2018


Celeste Prize by Fatos Ustek Oct. 6th-8th, 2017 
Oxo Tower Bargehouse, London. UK 


Eight Artist to Watch: MA and MFA Shows 2017 
Elephant Magazine, August, 2017</description>
		
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